Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, September 29, 2016

The Last Letter. Shelby Pizzarro. Collage

"You can destroy your now by worrying about tomorrow." – Janis Joplin
I was just a kid, making my bed and listening to the radio on a Saturday morning. The opening notes of a song caught my ear, but it was when I heard the raspy, passion filled voice, I knew I was experiencing something exceptional. At the time I didn’t know who was singing, and I didn’t know the name of the song. But the vocalists’ raw emotion, the way she held a note…releasing it at just the perfect moment...captivated me.  The song was “Piece of My Heart” by Big Brother and the Holding Company. The mesmeric voice belonged to Janis Joplin. The memory of the first time I heard her sing will forever stay with me.

We all know her story…leaving Port Arthur, Texas to discover who she was as a woman and an artist, of her addictions and her need for pushing the limits of her rock-and-roll lifestyle.  But rather than dwell on the tragic I want to celebrate all that was triumphant.

As a confirmed letter writer myself, I loved reading Janis’ correspondence to friends and family. This Janis is the one that inspired me through my awkward (are they ever anything but!) teens and into my twenties. Janis kicked open the door for women in the arts. She showed us anything is possible if we follow our dreams to our authentic self. Her drive to succeed on her own terms…caressing the vulnerable and the beautiful…lead to many mishaps but also to great discoveries.

The quote is a favourite of mine. Before words like “mindfulness” became part of the lexicon, Janis was already a believer. As I’ve recently been working with the wonderful Artistcellar Labyrinth series, my heart and my work have found a brilliant resting place in being fully present and not destroying my “now”.

The newest member of the Artistcellar family is Blocks. I couldn’t wait to start creating! The variety within the four piece set is excellent. I was especially drawn to the Open Work and Cross T designs. I wanted to give my work a 1960’s vibe so I chose to stencil with the colours of the era: hot pink, purple, acid green. It was fun to dab my acrylics through the stencil and see the combinations. I even stenciled a single colour knowing I could add it to my art. As with all of the Artistcellar products, clean up was a snap leaving the stencils in perfect condition.

I enjoyed building the collage. I wanted to give the work a vintage feel and started with a tintype background. I added the layers including the stenciled images, newspaper clippings, date stamps, painted dryer sheets, and finally the image of Janis. I chose this particular photo because she looked fearless, happy and ready to take on her next adventure.

It is easy to be drawn to the heart-rending story of a creative who died before their time. But if there is one thing I’ve gained from following Janis’ much too short career it is this: Be true to yourself, as a woman and an artist, and you will find authenticity waiting to be discovered in that special piece of your heart.

MATERIALS USED:
  • ARTISTCELLAR STENCILS: BLOCKS - Open Work, Cross T
  • PLAID FOLKART METALLIC ACRYLICS: Aquamarine, Champaign, Antique Gold, Amethyst, Plum, Rose Shimmer, Metallic Rose, Emerald Green, Peridot, Blue Topaz
  • PLAID ACRYLICS: Sunflower, Brilliant Pure Orange
  • REEVES ACRYLICS: Rose Red
  • NATURAL SPONGE
  • NEWSPAPER CLIPPINGS
  • STRATHMORE Mixed-Media Visual Journal 300 Series- 5.5" x 8.5"
  • DIGITAL IMAGES – Purchased & Created

Saturday, August 3, 2013

"Why Girls Go Wild" Shelby Pizzarro. Conventional Collage.

"Why Girls Go Wild" -  Conventional Collage
Ah....a day out with friends! You feel like you're over the Moon. And for many the day was captured with a dreamy, Moon inspired photo postcard.

The collage is a conventional work on heavy card stock. I used handmade and art paper, found objects, postage stamps, ephemera from magazines and books, and of course the paper moon photo.

I wish I knew something about the two women on the postcard. I wondered what brought them to the photo studio to have their day on the Moon. Their clothes suggest the early 1900's. Are they friends, family? Was this planned or a photo taken on the spur-of-the-moment?

I couldn't help but sing the popular 1930's song while I worked on this piece. "It's only a paper moon...hanging over a cardboard sea...but it wouldn't be make believe if you believed in me."

Did they believe in each other? My Romantic heart hopes they did.

Thursday, May 13, 2010

Musically Inclined Series by Bertie Brown Original Impressionistic Musical Motif Watercolor

Musically Inclined

original impressionistic watercolor of a musical motif: 16 1/2"w x 13 1/2"h

A String Thing

The strings are such

A complicated section,

We say that and invoke

Our greatest affection,

With notes that soar

To the highest of heights

The violins bow frantically

Trying to get it just right!

And notes writ so low

The basses’ brows frown

As they bend down to bow

So low to the ground.

Always self important

No humility, not a trace

They sit right up front

And take up prime stage space.

The rest of the orchestra

Accepts this with grace

Their parts they play well..

They are quite exceptional,

And oh so professional...

BB’10

info at: email

Thursday, April 22, 2010

Background Music (Series) by Bertie Brown

original drawing on gessoed music manuscript: 9"w x 12"h

A View From the High C’s

Is where I’ll be

With sketchbook in hand

Though it’s not what I planned

As I once took my place

In the second horn space

Or I played in the band

Or a show

With the pit crew way below...

But this view’s not so bad

There’s no stress to be had

Here in the Fulton’s lofty lairs

Above the balcony

And second stairs

Now the music that surrounds

These halls and abounds

Gives my drawings their sound

And I’m glad just to see

The view from the high C’s...

BB’10

Info at: email

Friday, April 16, 2010

Quints Jam (Horns) by Bertie Brown

Quints Jam

original drawing on gessoed music manuscript: 9"w x 11 1/2"h

Brass Class

Its a well known fact

That a quintet of brass

Is hard to beat

In terms of class.

And favorite things

Are not much better

Not chocolate or cheese cake

Nor lobster or steak

Not mountains or beaches

Nor clear spring-fed lakes

Not cool drinks in summer

Nor hot drinks in winter

Not even sun-showers

That grow my sunflowers

The one thing that’s better

Than a classy quintet

Would certainly be

A French Horn Octet...

BB’10

Info at: email
view more work at:

Wednesday, April 14, 2010

The Music Room by Bertie Brown

The Music Room

original drawing on gessoed music manuscript: 8"w x 10"h

Practice

Practice makes better

(Not perfect

No, never)

Especially if horn playing

Is what you can do

You’ll prob’ly improve

But that’s questionable, too

My advice to you

Buy a French Horn Kazoo!

BB’10

info, click: email

Friday, April 9, 2010

Musically Inclined Series (Orchestra) by Bertie Brown

Musically Inclined (Orchestra)

original: 17"w x 21"h

Sophie Says

Hey there BB

What’s the matter

You look sadder

Than I’ve seen you

What can I do

To help you through

This tough season, what’s the reason for this blue mood?

Well now, Sophie

It’s this painting

It is heading

For a shredding

I am shirking

Failure’s lurking

Apprehension brings congestion to my working...

Wait a minute

Let’s review it

There is something

Good that’s due it

Its got movement

That’s conducive

To the theme you’ve worked on, finish and include it!

Okay Sophie

I’m supposing

You’re proposing

I keep going

So I’ll suffer

While you buffer

All my fears of failing, now let’s start another!

BB’10

Info at: email

view more work:

http://watercolorsbybertiebrown.blogspot.com

www.watercolorsbybertiebrown.com


Friday, March 19, 2010

Musically Inclined Series ( Viol.) by Bertie Brown

Musically Inclined

original: 18 1/2"w x 22 1/2"h

Violin Class

The violin’s a classy fellow

When bowed he sings a tune so mellow

When plucked

His notes are quite abrupt

And when there’s nothing left to play

He simply packs himself away....

BB’10


purchase info, click: email
view more work:

Tuesday, March 16, 2010

Musically Inclined Series (Horn Inset, Viol.) by Bertie Brown

Musically Inclined

original: 10 1/2"w x 10"h

The French Conundrum

The French Horn is happy

Wherever it plays

From Woodwinds and Brass

To the Strings with such class.

Yes, the instruments agree

That it’s sound does so please.

And most of the time

The horn is quite amiable.

But it can get unruly

And downright unplayable!

BB'10



view more work:

web: www.watercolorsbybertiebrown.com

blog: http://watercolorsbybertiebrown.blogspot.com

questions: email


Saturday, March 13, 2010

Musically Inclined Series (Orchestra) by Bertie Brown

Musically Inclined

original: 17"w x 21"h

The Maestro’s Woes

Horns near the backdrop

The Strings own the front spots

Right in the center

Are the Woodwind renters

Drums and percussion

Beat out the instructions

Harp and Celesta

Join in their discussions...

Playing together for better or worse

Learning the music

They all must rehearse

Perfecting rhythms

Some tricky, some fun

All of the orchestra

Playing as one...

Allegretto

Meno mosso

And Con Brio, too

Mezzo, Piano, Fortissimo Piu

We love all those ways

To play!

Tubas and trombones

Will fight for their turf

Oboes with puffed cheeks

Look ready to burst

Flutes, Clarinets

The Violas, Trumpets

All so polite

As they try not to fight.....

Instruments waiting for Maestro to cue

Watching the down beat

His hand in their view

A Violin shrieks

A clarinet squeaks

Scowls from the Maestro

But onward they go...

When notes don’t sing

From the high Strings

Or a horn butts in

The music continues

The Maestro in tow

The audience shouts

“Bravo!”

BB’10

website:www.watercolorsbybertiebrown.com

blog: http://watercolorsbybertiebrown.blogspot.com

email


Thursday, March 11, 2010

Musically Inclined Series (Flugelhorn) by Bertie Brown

Musically Inclined (Flugelhorn)

original: 15 1/2"w x 11 1/2"h

Flugelhorn

The Flugelhorn’s not a copycat

(But you already do know that)

Not a trumpet or cornet

Or a curvy French Horn-et

Distinctive and unique

It has its own mystique..

The Flugelhorn can choose

A jazz tune or the blues

With a certainty of style

That makes me want to nod

And smile...

BB’10


questions/comments click email

to view more work:

website:www.watercolorsbybertiebrown.com

blog:http://watercolorsbybertiebrown.blogspot.com


Wednesday, February 17, 2010

Musically Inclined Series (Woodwind Quintet) by Bertie Brown


Musically Inclined
15 1/2w x 18 1/2h

Quints Jam
The woodwind Quintet
Is surprised and upset
That a brass French Horn-et
Is allowed on their set
But the French horn explained
While the Woodwinds complained
That his rich rounded sound
Keeps the Woodwinds anchored down
So they changed all their plans
And that’s how it began
For the “Woodwinds Quints Jam”!
BB’10

Bertie Brown Lancaster, PA