4"x 6" A Painting A Day
Check out the glaze on this pottery!
www.andysmithartist.com
www.andysmithartist.blogspot.com
This is Richard Price, President of the North East Watercolor Society, and me, with the demo I did on Feb 26, 2011. I was invited to judge their membership exhibit in Middletown, NY, and did the watercolor demonstration at the reception to an audience of almost a hundred. I got to meet lots of very nice artists - fun!
Catching a scent, this grizzly is a mass of




acrylic
It is always gratifying when you feel that you have grown or learned something new. For me, my time in Florida has forced me to look carefully at palm trees. Perhaps, because I am a northeast born and raised woman, I never really liked paintings with palm trees, especially when those trees were situated on a beach and silhouetted against garish sunsets or sunrises. They always appeared cliche, phony, over-colored , painted assembly line-like.
Painting with a plein air group in Florida, I had no choice. Palms were everywhere we went. I had to paint them. I didn't want to paint a stylized version of a palm tree. The one, that as a child, I painted with palm branches radiating from the center, like a wheel, usually with coconuts. So I forced myself to really look at them. The more I looked, the more I learned to appreciate their gracefulness and beauty. We are leaving in a week, but I will be anxious to return next year to continue observing and painting these beautiful trees. As for those "garish", phony-looking sunrises and sunsets, "they're real and they're spectacular."

Thank you most talented people for inviting me to join your blog.
Sorry I haven't posted for awhile - life just keeps getting in the way. Above is one of my newer abstract (or non-objective) paintings. It's quite large - 40 x 30 and on stretched canvas. After posting it on my website and after looking at it for a few days, I thought it needed to be changed. Below is the newer version. I added more black to the left side to balance the darkness on the top and right. Then I added rose madder to the bottom left since I thought it appeared too orange. I also added some white and yellow to that same area to break up that corner. I'm liking the changes. Do you think I helped it or hurt it? Thanks.
Musically Inclined/Horn, Beethoven Bust
watercolor still life with horn/ Beethoven bust in progress: 22"w x 18"h
Chicken Tricks
You cannot be chicken
If you play french horn
Unless you are thinkin’
You’d like a good lickin’
When that horn does balk
The right note, it squawks
And Beethoven rolls over
As you shrug your shoulder
BB’11
Watercolors by Bertie Brown - Art is Instrumental
info at: email


In The Beginning...
Sophie’s Victory
Sophie came by
With that look in her eyes
She was on a mission
To get the commission
We turned on our tunes
Ahh.
Music filled the room
Was that Ludwig V
And Wellington’s Victory?
A recording so rare
It’s almost never played
On the air, or anywhere
Sophie said, “ Hey, let’s stop rambling
We gotta get scrambling
We’ve a horn to paint
And Beethoven’s face
Before we gets bored
Exhausted or faint!”
She was anxious and ready
to set a fast pace
I said slow and steady
will win this race
Sophie just sighed
And rolled her beautiful
Big blue eyes
Alright, okay
You get your way.....
We’ll let you all know
When the work’s fit to show!
BB’11
This is my last post from Florida this winter. We are leaving in about a week and I have used up all my canvases. I painted this on matboard, which I did not like--the paint dried much too quickly. It did force me to paint extra fast though. I spotted this house situated between two gnarly trees in the park with a palm tree growing between them.
The house positioned, right in the middle, and the unusual, opposing growth of the trees made this an interesting composition to me.
My pastel of Christ Lutheran Church (depicted in the mid-19th century) was unveiled yesterday during the year's first meeting of the Licensed Town Guide Association, which took place at the church. The crowd - and recipient - were very enthusiastic! The wonderful framing job was done by Forget-Me-Not Framing, New Oxford, Pa.
"Gettysburg Battlefield in Snow #10"
'Yellowstone Horses' and four other paintings were accepted in the Paint America juried exhibit, so I'm getting them ready to go. (That's a lot of shipping boxes.) Their first stop is The Coutts Museum of Art in El Dorado Kansas. www.debiwatson.com